“And of Dan he said, Dan is a lion’s whelp: he shall leap from Bashan.” Deuteronomy 33:22
THE LONDON 2012/ZION OLYMPICS
PREDICTIVE PROGRAMMING AT ITS FINEST!
The 2012 Olympiad was held in London, England from July 27 through August 12. July 27, 2012 was also Tisha B’Av or the 9th of Av on the Hebrew calendar. Tisha B’Av is an annual fast day in Judaism commemorating the destruction of both the First Temple and Second Temple in Jerusalem, judgments that occurred on the same Hebrew calendar date 655 years apart. The destruction of the First Temple is recorded in Jeremiah 39:12:
“In the ninth year of Zedekiah king of Judah, in the tenth month, came Nebuchadrezzar king of Babylon and all his army against Jerusalem, and they besieged it. And in the eleventh year of Zedekiah, in the fourth month, the ninth day of the month, the city was broken up.”
The Druid Festival of Lugnasadh traditionally falls between late July and early August, the official feast being August 1 with many local Wicker Man festivals held during the weeks before. On July 27, 2012 (Tisha B’Av, the 9th of Av), the 1973 Wicker Man film was released in British theaters. A scene from this British horror film was shown during the opening ceremony of the London Olympics. Exactly one year later, an edited version of the 1973 Wicker Man was released in the United States on July 27, 2013. (See Parts 7: John MacArthur’s Druid Festival and Part 9: The Wicker Man)
The symbolism of the 2012 Olympics Opening Ceremony was interpreted by the Stonehenge and Avebury Druids as proof that Druidry is finally officially recognized as the indigenous religion of Great Britain:
Olympic Opening Ceremony London 2012
Spiritual symbolism from Britain’s pagan roots“Never before, in modern times, has so much pagan symbolism been used by the British establishment for a state occasion. The 2012 Olympic opening ceremony was a triumph of expression of British identity that for once did not ignore our cultural and spiritual pre Christian roots.
“The Olympic flame was lit this year at the temple of Hera in Greece and was flown to Britain. With much fanfare it was then carried around the land by a relay or runners where it visited Stonehenge and other ancient sacred places...
“The tor in the Olympic stadium is crowned by a mighty Oak tree, which every pagan will recognise as a potent symbol of the Druid faith, a sign of the divine sovereignty of nature, and the protective spirit which watches over us.
“How symbolic that the flags of every nation, including our own, would assemble on the slopes of this sacred hill of legend, beneath the sovereign protection and oversight of our sacred tree, the life giving, oak.
“The scene indicating the start of the industrial revolution demonstrates the violation of our accord with nature as the tree is plucked from the soil, to make way for William Blake’s ‘Dark Satanic Mills’.
“Teams of Athletes were led into the arena behind their national flags escorted by a young man or young maiden wearing off-white robes and flowers as a reflection of the traditions of the Druids.
“Then, after more music and modern culture there was the lighting of the Olympic flame, with one flame for each participating clan, being lit clockwise and being brought together into one. This is an echo of one of the Druids most special rites.”
Opening the London 2012 Olympics ceremony was a medley of children’s choirs from the four countries comprising Great Britain. The choirs sang respectively the British hymn, “Jerusalem,” the Irish ballad, “Danny Boy” followed by Clydesdale horses marching into the stadium as the “Flower of Scotland” and Welsh hymn, “Bread of Heaven” were sung. “Jerusalem” is a musical adaptation of William Blake’s unorthodox poem about Jesus Christ traveling to Great Britain during his unknown years:
And did those feet in ancient time.
Walk upon England's mountains green:
And was the holy Lamb of God,
On England's pleasant pastures seen!
And did the Countenance Divine,
Shine forth upon our clouded hills?
And was Jerusalem builded here,
Among these dark Satanic Mills?Bring me my Bow of burning gold;
Bring me my Arrows of desire:
Bring me my Spear: O clouds unfold!
Bring me my Chariot of fire!
I will not cease from Mental Fight,
Nor shall my Sword sleep in my hand:
Till we have built Jerusalem,
In England's green & pleasant Land.
“Jerusalem” is the unofficial national anthem of Great Britain, and for this reason only British subjects seem to understand its import. The hymn is not based upon Scripture, but on apocryphal and pseudepigraphal books not authored by witnesses to the earthly life of Jesus Christ. They are Gnostic forgeries written to mislead mankind to a false Christ.
“The poem was inspired by the apocryphal story that a young Jesus, accompanied by his uncle Joseph of Arimathea, a tin merchant, travelled to what is now England and visited Glastonbury during the unknown years of Jesus. The legend is linked to an idea in the Book of Revelation (3:12 and 21:2) describing a Second Coming, wherein Jesus establishes a new Jerusalem... Blake’s poem asks four questions rather than asserting the historical truth of Christ’s visit. Thus the poem merely implies that there may, or may not, have been a divine visit, when there was briefly heaven in England.” (“And did those feet in ancient time”)
“Joseph of Arimathea...appears in some early New Testament apocrypha, and a series of legends grew around him during the Middle Ages, which tied him to Britain and the Holy Grail... Since the 2nd century, a mass of legendary detail has accumulated around the figure of Joseph of Arimathea in addition to the New Testament references. Joseph is referenced in apocryphal and non-canonical accounts such as the Acts of Pilate, a text often appended to the medieval Gospel of Nicodemus and The Narrative of Joseph.” (“Joseph of Arimathea”)
“It was here that legends say Jesus was brought to Glastonbury as a boy by his uncle Joseph of Arimathea during the ‘silent years’ – the time between the ages of 12 and 33 when the Bible says nothing of his life. Some believe he spent these years studying with the ascetic Essenes in the desert. Others suggest he may have been in training here with the Druids in Britain.” (Glastonbury)
“It’s believed that the young Christ came to what is currently England with his uncle, and that Druid priests sat and learned at his feet. It’s also thought that as a young man, Christ and his uncle constructed a chapel together on the island. Today, The Lady Chapel stands on the site of the original structure, on the grounds of Glastonbury Abbey. This rich tradition led William Blake to write his beautiful poem, ‘And Did Those Feet In Ancient Times…’, which has been adapted into the hymn, ‘Jerusalem’.” (Bernard of Clairveaux)
Part 3 and Part 4 of this expose document John MacArthur’s stealth promotion of the apocryphal and pseudepigraphal books in his book, Slave: The Hidden Truth About Your Identity in Christ. It was the apocryphal and pseudepigraphal books which became the basis of the Druid religion and Grail mythology of Great Britain which is found in Blake’s poem and the hymn, “Jerusalem.”
The apocryphal legend tells of Joseph of Arimethea landing at Glastonbury where he established Britain’s first monastery. According to the legend, Joseph became the country’s first evangelist and the ancestor of many British monarchs. As the legend developed over centuries, Joseph was alleged to have brought the “Holy Grail” to Britain, which gave rise to the legend of King Arthur and the Knights of the Round Table. According to the legend, King Arthur and Queen Guinevere were buried at Glastonbury Abbey, in the cemetery on the south side of the Lady Chapel between two stone pyramids.
“During the late 12th century, Joseph became connected with the Arthurian cycle, appearing in them as the first keeper of the Holy Grail. This idea first appears in Robert de Boron’s Joseph d’Arimathie, in which Joseph receives the Grail from an apparition of Jesus and sends it with his followers to Britain. This theme is elaborated upon in Boron’s sequels and in subsequent Arthurian works penned by others. Later retellings of the story contend that Joseph of Arimathea himself travelled to Britain and became the first Christian bishop in the Isles.” (“Joseph of Arimathea”)
“Much more was added to Joseph’s legend during the Middle Ages. He was gradually inflated into a major saint and cult hero, as well as the supposed ancestor of many British monarchs. He is said to have brought with him to Britain a cup, said to have been used at the Last Supper and also used to catch the blood dripping from Christ as he hung on the Cross. A variation of this story is that Joseph brought with him two cruets, one containing the blood and the other, the sweat of Christ. Either of these items are known as The Holy Grail, and were the object(s) of the quests of the Knights of King Arthur’s Round Table. One legend goes on to suggest that Joseph hid the ‘Grail’ in Chalice Well at Glastonbury for safe-keeping.” (Britannia)
According to British tradition, Joseph of Arimethea was the uncle of Mary the mother of Jesus, and therefore belonged to the tribe of Judah. The legend also claims that Joseph was the ancestor of the mythical King Arthur. (See phony British-Israel genealogy of Jesus descendants: Messianic Bloodline & Royal Christian Dynasty of Great Britain) Even at the present time, the British monarchy claims to be of the Messianic bloodline of Judah; in actuality they are the apostate tribe of Dan.
The Artistic Director for the Olympics opening ceremony was Oscar winning British producer Danny Boyle. “Danny Boyle” and “Danny Boy” were a cryptic tribute to the tribe of Dan or the Tuatha de Danaan and, a coded message that both are alive and well and in charge of the global power structure. The opening ceremony incorporated many subtle allusions to the tribe of Dan.
“The snorting of his horses was heard from Dan...” Jeremiah 8:16
A serpentine path wended its way through Olympic stadium, ostensibly the River Thames which flows through London and Oxford, but symbolically invoking the Serpent god of the tribe of Dan.
“Dan shall be a serpent by the way, an adder in the path,
that biteth the horse heels, so that his rider shall fall backward.” Genesis 49:17
“And the LORD God said unto the serpent, Because thou hast done this, thou art cursed above all cattle, and above every beast of the field; upon thy belly shalt thou go, and dust shalt thou eat all the days of thy life: And I will put enmity between thee and the woman, and between thy seed and her seed; it shall bruise thy head, and thou shalt bruise his heel.” Genesis 3:15
The London Philharmonic Orchestra then played Nimrod composed by Edward William Elgar. Nimrod was the son of Cush and grandson of Ham, whose other son, Canaan, was cursed as were his descendants, the Canaanites.
“And the sons of Ham; Cush, and Mizraim, and Phut, and Canaan... And Cush begat Nimrod: he began to be a mighty one in the earth. He was a mighty hunter before the LORD: wherefore it is said, Even as Nimrod the mighty hunter before the LORD. And the beginning of his kingdom was Babel, and Erech, and Accad, and Calneh, in the land of Shinar.” (Gen.10:6, 8-10)
Keil and Delitzsch Old Testament Commentary gives the proper interpretation of before the LORD: “...in the face of YHWH” can only mean ‘in defiance of YHWH’ as Josephus and the Targums understand it.” (p.166) Josephus wrote that Nimrod built the tower of Babel in the event of another great flood, and he turned the hearts of the people away from God who had caused the flood:
“Now it was Nimrod who excited them to such an affront and contempt of God. He was the grandson of Ham, the son of Noah, a bold man, and of great strength of hand. He persuaded them not to ascribe it to God, as if it were through his means they were happy, but to believe that it was their own courage which procured that happiness. He also gradually changed the government into tyranny, seeing no other way of turning men from the fear of God, but to bring them into a constant dependence on his power. He also said he would be revenged on God, if he should have a mind to drown the world again; for that he would build a tower too high for the waters to reach. And that he would avenge himself on God for destroying their forefathers.” (Antiquities of the Jews, Book I, Chapter 4)
London Olympics Tower of Babel
In his book, Star Names: Their Lore and Meaning, Richard Hinckley Allen wrote that the Jews deified Nimrod as the constellation Orion. Osiris, the Solar God, also noting that Orion/Nimrod was a Giant:
“Later on the Jews called Orion Gibbor, the Giant, considered as Nimrod bound to the sky for rebellion against Jehovah...; but the concept of Nimrod as ‘the mighty Hunter before the Lord,’ at least in the ordinary sense of that word, is erroneous, for the original, according to universal Eastern tradition signifies a Lurking Enemy, or a Hunter of men rather than of beasts.” (Richard Hinckley Allen, Star Names: Their Lore and Meaning, p. 309)
Rabbinic sources affirm that Nimrod was a “warlike giant” who enslaved men and ruled over a world kingdom as a tyrant:
“Nimrod - Of this person little is known, as he is not mentioned except here and in 1Chron. 1:10, which is evidently a copy of the text in Genesis. He is called a mighty hunter before the Lord; and from Gen. 10:10, we learn that he founded a kingdom which included the cities Babel, Erech, Accad, and Calneh, in the land of Shinar. Though the words are not definite, it is very likely he was a very bad man. His name Nimrod comes from מרד , marad, he rebelled; and the Targum, on 1Ch 1:10, says: Nimrod began to be a mighty man in sin, a murderer of innocent men, and a rebel before the Lord. The Jerusalem Targum says: ‘He was mighty in hunting (or in prey) and in sin before God, for he was a hunter of the children of men in their languages; and he said unto them, Depart from the religion of Shem, and cleave to the institutes of Nimrod.’ The Targum of Jonathan ben Uzziel says: ‘From the foundation of the world none was ever found like Nimrod, powerful in hunting, and in rebellions against the Lord.’ The Syriac calls him a warlike giant. The word ציד tsayid, which we render hunter, signifies prey; and is applied in the Scriptures to the hunting of men by persecution, oppression, and tyranny. Hence it is likely that Nimrod, having acquired power, used it in tyranny and oppression; and by rapine and violence founded that domination which was the first distinguished by the name of a kingdom on the face of the earth. How many kingdoms have been founded in the same way, in various ages and nations from that time to the present! From the Nimrods of the earth, God deliver the world!” (Adam Clarke Commentary)
Nimrod was the first hunter of men so it is fitting that this ‘warrior against mankind’ was honored at the international Olympics Games during the warrior festival of Lugnasadh. Nimrod set the stage for the London Olympics opening ceremony — a brazen display of pagan imagery which proclaimed “in the face of the LORD” the impending revival of Nimrod’s global kingdom.
The centerpiece of the Olympic stage was a replica of Glastonbury Tor, a sacred Druid site in the southern town of Somerset, England, near the location where Joseph of Arimathea is alleged to have landed.
Glastonbury Tor
“It was only natural, then, that Joseph should have been chosen for the first mission to Britain, and appropriate that he should come first to Glastonbury, that gravitational center for legendary activity in the West Country. Local legend has it that Joseph sailed around Land’s End and headed for his old lead mining haunts. Here his boat ran ashore in the Glastonbury Marshes and, together with his followers, he climbed a nearby hill to survey the surrounding land. Having brought with him a staff grown from Christ’s Holy Crown of Thorns, he thrust it into the ground and announced that he and his twelve companions were ‘Weary All’. The thorn staff immediately took miraculous root, and it can be seen there still on Wearyall Hill. Joseph met with the local ruler, Arviragus, and soon secured himself twelve hides of land at Glastonbury on which to build the first monastery in Britain. From here he became the country’s evangelist.” (Britannia)
“Joseph stuck his staff into the ground at Wearyall Hill and it miraculously sprouted and became once more a living tree. It was cut down in the Reformation by zealots wanting to rid the town of the ‘superstitious’ devotion it had attracted, but monks had carefully preserved cuttings of the original, and the tree you see today is a direct descendant of that first tree. Once more it has become a place of devotion.” (Glastonbury)
The Holy Grail symbolizes bloodline of the fallen angels with whom the tribe of Dan intermingled at Mount Hermon, the sacred site in northern Israel which was believed to be the “Gates of Hell.” (Matt. 16:13,18) The descendants of these unholy unions, the Druids, continued their quest for the unholy Grail at Glastonbury Tor. Today the Druids eagerly await the return of their angelic ancestors.
“It will be through the Grail in England that the energies of transformation and ascension will be channeled, which eventually will bring the Earth into the Seventh Golden Age.” - 45:37
“But of the tree of the knowledge of good and evil, thou shalt not eat of it: for in the day that thou eatest thereof thou shalt surely die.” Genesis 2:17
“Combined with the Indo-European root ‘wid’: to know, ‘Druid’ may have referred to those with ‘knowledge of the oak’, the ‘Wise Ones of the Oakwood’. The Sanskrit word, ‘Duir’, gave rise both to the word for oak and the English word ‘door’, which suggests that this tree stands as an opening into greater wisdom, perhaps an entryway into the otherworld itself.” (www.druidry.org)
During the opening ceremony, a Shakespearean actor read lines from Shakespeare’s play, The Tempest, in which Caliban described Britain as a magical island.
Be not afeard; the isle is full of noises,
Sounds, and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears; and sometime voicesThat, if I then had waked after long sleep,
Will make me sleep again; and then in dreaming,
The clouds methought would open, and show riches
Ready to drop upon me, that when I waked
I cried to dream again.
- Shakespeare’s The Tempest, III, ii
Caliban, Prospero’s slave on the island, is half-witch and half devil.
Isles of Wonder provided the inspiration and theme of the opening ceremony, which was choreographed to portray the British Isles as among the islands in the ancient civilization of Atlantis. A stone situated at the source of the River Thames was shown having the inscription Isles of Wonder, which is also the name of the official soundtrack of the ceremony.
The occult world also believes that pre-flood Atlantis was an “isle full of wonders”...
“This blessed land answers to the description of Atlantis. It was an island full of wonders. It lay spread out in the ocean ‘like a disk, with the mountains rising from it.’” (Atlantis: the Antediluvian World)
The author of Atlantis: the Antediluvian World, Ignatius Donnelly, located the lost continent of Atlantis in the Atlantic Ocean:
“The Elysian Fields (the happy islands) were commonly placed in the remote west. They were ruled over by Chronos.’ (Murray’s Manual of Mythology, p. 60.) Tartarus, the region of Hades, the gloomy home of the dead, was also located ‘under the mountains of an island in the midst of the ocean in the remote west.’ (Ibid., p. 58.) Atlas was described in Greek mythology as ‘an enormous giant, who stood upon the western confines of the earth, and supported the heavens on his shoulders, in a region of the west where the sun continued to shine after he had set upon Greece.’ (Ibid., p. 156.)
“Greek tradition located the island in which Olympus was situated ‘in the far west,’ "in the ocean beyond Africa,’ ‘on the western boundary of the known world,’ ‘where the sun shone when it had ceased to shine on Greece,"
“Chronos, or Saturn, Dionysos, Hyperion, Atlas, Hercules, were all connected with ‘a great Saturnian continent;’ they were kings that ruled over countries on the western shores of the Mediterranean, Africa and Spain. One account says:
“Hyperion, Atlas, and Saturn, or Chronos, were sons of Uranos, who reigned over a great kingdom composed of countries around the western part of the Mediterranean, with certain islands in the Atlantic.’” (Atlantis, the Antediluvian World, p. 288)
Nimrod and Caliban’s poem in The Tempest were followed with the lighting of the Olympic cauldron as the electronic rock group “Underworld” performed “Pandemonium” and “Caliban’s dream.”
“In December 2011, Underworld were chosen to direct the music for the opening ceremony of the 2012 Summer ‘Olympics, reprising their partnership with film-maker and ceremony director Danny Boyle. The band also contributed two original tracks for the opening ceremony, ‘And I Will Kiss’ (ft. Dame Evelyn Glennie w. The Pandemonium Drummers) and ‘Caliban’s Dream’... Underworld contributed a total of 11 of the 36 tracks on the soundtrack, Isles of Wonder. For their work on the Olympics, Underworld won the 2012 Q Award for Innovation in Sound.” (Underworld Band)
“Pandæmonium is the capital of Hell in John Milton’s epic poem Paradise Lost.”
The god, Pan, rules over Pandæmonium which is located under Mount Hermon/Paneas in the territory of Dan.
“When Jesus came into the territories of, or was going towards, Cesarea Philippi, he asked his disciples, saying, Whom do men say I am? the son of man? Heylin. Cesarea Philippi, while it was possessed by the Canaanites, was called Leshem, Joshua 19:47. and Laish, Judges 18:27. But when the children of Dan took it, they named it after their progenitor. In later times it was called Paneas, from the mountain beneath which it stood.” (Coke’s Commentary on the Holy Bible)
“When Jesus came into the coasts of Caesarea Philippi, he asked his disciples, saying, Whom do men say that I the Son of man am? And they said, Some say that thou art John the Baptist: some, Elias; and others, Jeremias, or one of the prophets. He saith unto them, But whom say ye that I am? And Simon Peter answered and said, Thou art the Christ, the Son of the living God. And Jesus answered and said unto him, Blessed art thou, Simon Barjona: for flesh and blood hath not revealed it unto thee, but my Father which is in heaven. And I say also unto thee, That thou art Peter, and upon this rock I will build my church; and the gates of hell shall not prevail against it." Matt. 16:13-18
Queen Elizabeth and “James Bond” attended the opening ceremony, the Queen making a less than grand entrance after their alternates parachuted from the royal helicopter.
“...‘James Bond 007’ was chosen to ‘help’ Queen Elizabeth II to ‘parachute’ out of the helicopter into the London Olympics stadium during the beginning of the Opening Ceremony. ...Ian Fleming (the creator of the ‘James Bond 007’ films) was inspired by the handiwork of the late English occultist and main spy of Queen Elizabeth I, John Dee, who was the original ‘007.’ This was his secret code:
Queen Elizabeth I employed John Dee as her astrologer, cryptographer and spy.
“John Dee (1527-1608) was a fascinating genius, considered a magus, philosopher and alchemist who captured the attention of the royal courts and best minds throughout Europe. You were either intimidated by his ideas and reputation or you wished to be influenced by them. It has only been in the last century that we've had a more sober approach to Dee, thanks to such authors as Peter French, Francis Yates, Gerald Shuster and Richard Deacon who have rescued this ‘man of grand design’ from obscurity and have realized how significant a thinker he was.
Dr. Dee’s learning was far and wide, a brilliant mathematician, whose study ranged from geo-cartography and calculus which was vital in navigating the New World for explorers, to astrology, alchemy, the Cabala, cypher writing, religion, architecture, and science. In short, Dee's metaphysics were a ‘red’ cross of the Hermetic tradition with a strong dose of mathematics...
“Elizabeth was very much interested in the occult. Dee was responsible for choosing the most auspicious date for Elizabeth’s coronation which was on January 15th, 1559. The Queen was so impressed by Dee that she eventually travelled with her court to Mortlake, for the purpose of seeing his great library.
“Dee has been defamed through the centuries as a necromancer, but it’s the opinion of many writers that his angelic-cabalistic-alchemical work, his Philosophers Stone, the ‘Monad Hieroglyphica’ (1564) may have been a cover for covert operations carried on in the name of her majesty. The 007 was the insignia number that Elizabeth was to use for private communiques between her Court and Dee.
“Dee signed his letters with two circles symbolising his own two eyes and indicating that he was the secret eyes of the Queen. The two circles are guarded by what may be considered a square root sign or an elongated seven. For Dee, seven was a sacred cabbalistic and lucky number. (Richard Deacon)
“When the Spanish Armada loomed over the English Channel it was Dee as the wise sage who suggested to hold the course and be still. He had correctly anticipated that devastating storms would destroy the mighty Spanish Fleet and that it would be best to keep the English ships at bay. Some have suggested that it was Dee himself who conjured up that storm. Whatever it was that allowed England to defeat the Armada, John Dee was having his finest patriotic moment. One can see why some commentators have Dee associated with being the inspiration for the protagonist Prospero (to hope for the future) from The Tempest. Francis Yates in her seminal exploration Majesty and Magic in Shakespeare’s Last Plays, comments, ‘Dare one say that the German Rosicrucian movement reaches a peak of poetic expression in The Tempest, a Rosicrucian manifesto infused with the spirit of Dee, using theatrical parables for esoteric communication?’” (“A Bond for All Ages”)
“Queen Elizabeth’s philosopher, the white magician Doctor Dee, is defended in Prospero, the good and learned conjurer, who had managed to transport his valuable library to the island.” – Frances Yates, The Occult Philosophy in the Elizabethan Age
“1582 – Dr John Dee, Queen Elizabeth I’s astrologer, announces he has found the Elixir of Life at Chalice Well”
“...the opening ceremony resonated Shakespearean-levels of emotional influence, as was its intention. Very literally, this show was Shakespeare 2.0.” (“A Bond for All Ages”)
The Olympic ceremony appeared to invoke a future eruption of fallen angels from the bottomless pit at Glastonbury Tor.
“And they had a king over them, which is the angel of the bottomless pit, whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name Apollyon. Revelation 19:21
“I destroyed the Amorites, though they were as tall as cedars and as strong as oaks. I destroyed the fruit on their branches and dug out their roots.” Amos 2:9
In Arthurian lore, the Lord of the Underworld resides in a mythical Isle of Glass, i.e. aka Glastonbury and the Isle of Avalon, where Joseph of Arimethea supposedly buried the Holy Grail.
"When mist, like sea, surrounds the Tor, it rises from the Levels like a magical island of ancient lore. Indeed in Celtic times it was known as the Isle of the Dead - the threshold of the spirit world where wisdom and knowledge were revealed. Its Celtic name was Ynys Witrin; it is the faery Isle of Glass where the Lord of the Underworld resides. Most famously, legend knows Glastonbury as the Isle of Avalon. Literally meaning ‘The Place of Apples’, Avalon was a legendary paradise associated with the Celtic Otherworld - the Summerland Annwn. In Romance, Avalon is where Arthur’s great sword Excalibur was forged; it is where Arthur went to heal his wounds and where his sister Morgan Le Fay had her magical stronghold. The Life of St Gildas tells of Arthur’s deeds at Glastonbury; the abbey’s chronicles know him as a major benefactor of Glastonbury’s early church. Christian legend knows the Vale of Avalon as the place where Joseph of Arimathea landed with the Holy Grail...” (Glastonbury: Isle of Avalon)
The Closing ceremony of the London 2012 Olympics ended with a fiery Phoenix rising from the flames of the Olympics Cauldron while the band Take That played “Rule the World.” Hidden in plain sight was Atlantis Rising, whose “Forgotten Father” – Lucifer – will “rule the world.”
“Thus, the sleeping, half-dead gods who inhabit the subterranean tombs of Saturn, Satan, Hermes, Hercules, and even Christian Rosenkreutz (as an embodiment of Osiris, the solar god-king) could all mythically represent the same fallen kingdom, which, having lost the Grail and its mandate to rule, has occulted itself, gone underground, become invisible, or fallen asleep, until such time as the proper individual shall come along to liberate him/it. Then the sunken kingdom shall rise, the dreaming lord shall awake, the phoenix emerge from the ashes, and the proper universal balance shall be restored. In the meantime, the secret royal doctrine is kept alive by the initiates/descendants of that sleeping god (the same doctrine that is written upon the Grail in its form as the Emerald Tablet, or Gorral).
“The Forgotten Father was also in many traditions buried with a magic stone (the stone that fell from Heaven, the Emerald Tablet, the loadstone that repopulated the Earth, etc.), which contained secret wisdom teachings, possessed strange electromagnetic properties, and was itself associated with the re-population, as well as the vessel (the Grail or Ark) that carried it. Thus, all of these things: the stone/tablet, the ark/vessel, and the bloodline of the Forgotten Father - came eventually to be called the Grail, while in certain cultures, the myth of the dead but dreaming lord and his magnetic stone evolved into the Lord of the Earth and the Black Sun ruling over a subterranean kingdom.” (“The Real Tomb of God: The Grail, the Ark, the Emerald Tablet, and the Forgotten Father of Mankind”)The Secret Book of the Egyptian Gnostics, by renowned historian and a scholar of Egyptology and Greek papyrology, Jean Doresse, revealed that in Egyptian mythology the rising Phoenix heralded each new era of Biblical history.
“The myth of the phoenix appears in Christian literature in the First Epistle of Clement; in the poem of Lactantius; in the Physiologus. A passage in the Coptic Physiologus mentions regular appearance of the phoenix which sacrifices itself and is reborn upon every great event in Biblical history... This is simply an adaptation of an ancient Egyptian tradition that each new era was marked by a reappearance of the marvelous bird.” ( p. 172)
The plan for the new era is to resurrect the fallen angels of the pre-flood civilization and recreate the Garden of Eden. In this idyllic new age, these demon gods will present themselves as reincarnated Atlantean high priests and priestesses who will teach mankind the Hermetic sciences of sorcery, magic and divination, as they did in the halcyon pre-flood days. The signs and lying wonders following will be universally acclaimed as signs from God. For more information, see: Heeding Bible Prophecy: New Earth: Garden of Eden (Atlantis).
THE 2012 PARALYMPICS
The emergence of the “New Atlantis” was the theme of the Paralympics closing ceremony, a dark and disturbing Festival of the Flame which began 33 days after the main Olympics opening ceremony. One reviewer noted that the Paralympics Opening Ceremony, was a ritual event of “birthing a new world,” which he associated with Aldous Huxley’s Brave New World. (Paralympics Occult Ceremony-O Brave New World Order)
The Paralympics Committee asked the British Order of Druids for permission to use their “liturgy” in the closing ceremony. A former corporal who was wounded in Iraq recited the Druid liturgy as an prayer to the ancient gods. The Chief of the British Druid Order noted the major role Great Britain has played in the revival of pagan religions worldwide:
“Part of the seasonal-themed closing ceremony, spoken by Rory Mackenzie, a representative from Help For Heroes, was in fact written by Druids from the British Druid Order (BDO).
“We were sworn to secrecy beforehand, but Emma Restall Orr and I [Greywolf] were approached by the organisers of the 2012 Paralympics closing ceremony with a surprising request. They wanted our permission to use parts of the gorsedd ritual we wrote in 1997. So, about 20 minutes into the ceremony, these words went out to 750 million people around the world,”
“Philip Shallcrass (aka Greywolf), Chief of the British Druid Order, says that the original ritual was written to bring people from different backgrounds and faiths together, so ‘its use in the Paralympics closing ceremony seems perfectly in keeping with this original intention.’ While the 2012 London Olympics opening ceremony featured brief hints of Britain’s pre-Christian past, it featured no explicit contribution from the vital Pagan threads that exist in the United Kingdom, a nation that has played a huge role in the revival of Pagan religions. So it seems fitting that the last closing ceremony in London, for the Paralympic games, would explicitly reference modern Pagan contributions to British culture. Here’s a brief excerpt of the Druid liturgy used during the closing ceremony.
